Through years of fascination with the instruments from the Low Countries (Bourbon, Snoeck, Jacobs etc.) and their method of construction there is a need to create a baroque cello that meets the modern baroque musician and yet has the design and the sound of the "Bourbon instruments". In other words, the construction, the drawing of the sound holes, etc. are affected by these models.
First there is “the idea”, then the drawings are made, remade and again remade and this is done for all the components.